Yet,
somehow, I’ve avoided writing about the country where I now live: France. Is it
because the France portrayed in so many romances is nothing like the real
country? Because people want fantasy more than reality? They want cafés where
people engage in deep philosophical conversations and beret-wearing men with
baguettes under their arm pass by on creaking bicycles. In that mythical
France, food is always wonderful, and Art is important to all.
In reality,
people in cafés talk about football, television or social media. Those beret
men are long gone, and food is often — like elsewhere — created industrially,
then frozen and shipped to restaurants where it’s heated up in a microwave
oven. As for Art…
Which is
why I finally made the decision to write a romance set the real France, and to
knock down a few of those unrealistic ideas about the country.
Thus, The
Unpredictable Colors of Love, set in an artist’s retreat in the real France,
in a château that, like so many in this country, was doomed to disappear.
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