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Saturday, April 11, 2026

In honor of those who “…go down to the sea in ships…”

My dad was one of those people for over 24 years serving in the U.S. Navy. During that time, he has shore duty fewer than 6 years. For the rest of the time, he spent at least 8 months a year at sea as a boiler tender, working in the bowels of naval ships. I didn’t appreciate his duty as much as I should have as a child but have come to admire it more and more the older I got. Hard work, gone from home, and working in a dangerous environment. And then, there’s the military family. They have to cope without the husband/father (or wife/mother) for much of the year and then fit that person back into the family structure when they return. It’s not always easy.

Especially now when we have men and women in harm’s way around the world, my book pays homage to the work they do and the sacrifices they make. Safe journey!


Blurb:
Men and women of the armed forces experience lust and love pretty much like everyone else. Except, well, there is that uniform. And the hard-to-resist attraction of "duty, honor, service" as a man might apply them to a woman's pleasure. All things considered, romance among the military is a pretty sexy, compelling force for which you'd better be armed, whether weighing anchor and moving forward into desire, dropping anchor and staying put for passion, or setting a course for renewed love with anchor home. Explore the world of love and the military and see just how hot Naval Maneuvers can be.

 

Buy link:
Amazon https://www.amazon.com/Naval-Maneuvers-Dee-S-Knight-ebook/dp/B079V62PT3/

 


Excerpt:
"And what is your name, pretty?" Mel Crandall addressed the dinosaur bones in an undertone, bending nearly to face level. The skeleton displayed an open mouth and rows of fierce, sharp teeth.

"Roger," a man standing next to her said in a low voice. Startled, she looked up. Up being the operative word. She stood a decent five feet ten inches, and he beat her by a good half foot. She studied him. He ignored her.

The guy had a solid profile, strong chin, chiseled cheekbones, and a straight back with muscular shoulders. Short brown hair. He wore glasses and stared straight ahead, but glasses couldn't disguise the laugh lines that radiated from the corners of his eyes. His posture was near perfect and he was not overweight, as evidenced by the trim fit of his jeans and red polo shirt that clung enough to give evidence of a low body/mass index number.

As a doctor, she immediately noticed body characteristics before actual looks. But with this guy, examination in lieu of admiration was hard. Men were often put off by the fact that she paid attention to whether they looked sallow or flushed, or if their hands were cold or warm before she "saw" them. She noticed if a man's eyes were dilated or glittered with fever before she registered eye color. Dates started with mini examinations before she relaxed enough to enjoy personalities, but that's just the way she was. Men had to take it or leave it. Sadly, most left it. Which was why she talked to dinosaurs at the Smithsonian Museum of Natural History all on her own.

Mel moved on to the next exhibit, a shorter built specimen but still tall and with a nasty spiked tail. "I wonder what you looked like," she murmured. "What color were you, what did you eat, and what's your name?" She bent to read the exhibit information.

"Gray. Grass." That same guy had followed her. Rather than having a strong profile, she was beginning to think he was a weirdo. "Annnd, roger."

Quickly, Mel moved to the next exhibit. "And you are–"

"Roger."

He stood beside her again! Mel started to look for a museum guard but saw none. Great. Planting her hands on her hips, she turned to him. "Stop following me," she said loudly enough that people in the general area turned to see what was happening.

The guy said, "Hold it."

Hold it? Hold it, as in "Wait a minute, little lady?" She opened her mouth to lay into him when he turned and removed his glasses, showing her the richest, most chocolatey brown eyes she'd ever seen. The words stuck in her mouth.

"I'm sorry, what?"

In a lower voice she said, "You're following me from exhibit to exhibit and talking to me. I want you to stop."

"I didn't realize…" He wiggled the glasses at her. "I'm working here and I'm afraid I didn't notice you."

Well. What was worse, that he was a pervert following her place to place, or that he wasn't a perv and hadn't even noticed her?

 


Reviews:

5 Stars: “One short story after the next in this exciting heart racing book leaves you wanting more of them. Oh, and you may need a cold shower too. I enjoyed this book a great deal as I am a sucker for military romances and this one delivers.”

5 Stars: “These short stories have made me remember the passion between a woman and a man. Inspiring and heartfelt. A true gift this author has for sharing the beautiful relationship between a man and a woman.”

 5 Stars: “I highly recommend Naval Maneuvers to readers who enjoy hot romance and humor. Dee S. Knight kept me turning pages until the end. I long for the next book where men and women make each other feel whole and dive into the unexpected. You don’t choose who you love. You just love.”

5 Stars: “Dee has an amazing ability to pull the reader into the story, so much so, that you live and breathe the lives of the characters until you reach the end….I'm glad I bought her book and look forward to reading more from this author. :)”

 


A little about me:
A few years ago, Dee S. Knight began writing, making getting up in the morning fun. During the day, her characters killed people, fell in love, became drunk with power, or sober with responsibility. And they had sex, lots of sex.

 After a while, Dee split her personality into thirds. She writes as Anne Krist for sweeter romances, and Jenna Stewart for ménage and shifter stories. All three of her personas are found on the Nomad Authors website. And all three offer some of the best romance you can find! Also, once a month, look for Dee’s Charity Sunday blog posts, where your comment can support a selected charity.

 Author links:

Website: https://nomadauthors.com

Blog: http://nomadauthors.com/blog

Twitter: http://twitter.com/DeeSKnight

Facebook: https://www.facebook.com/DeeSKnight2018

Goodreads: https://www.goodreads.com/author/show/265222.Dee_S_Knight

Amazon: http://www.amazon.com/-/e/B079BGZNDN

LinkedIn: http://linkedin.com/in/dee-s-knight-0500749

Sweet ‘n Sassy Divas: http://bit.ly/1ChWN3K

 

Friday, April 10, 2026

The Snob by @meganslayer #outnow #agegap #romance #brattyheroine

 


Genres: Action AdventureContemporaryMystery /Suspense /IntrigueNew ReleasesRomance

Themes: Age Gap (Older Man)Dark RomanceMafia /Organized CrimeMilitary, Para-Military, Veterans & First Responders

Series: Roosters (#12)

Multiverse: Roosters (#1)

Book Length: Novella

Page Count: 85


Carley Mathers isn’t just the “party girl” daughter of a congressman. She’s more. But these days, in a world of fake friends, she’s determined to keep only true ones close. Because she puts them at arm’s length, her classmates at college refer to her as “The Snob.” But she comes from wealth and means -- she shouldn’t be able to mix with her bodyguard, right?


Dacre Jennings has been given the job of protecting Carley while she’s off at college. The same classmates who make light of her silence also make fun of him, too. He doesn’t care that they think she lives with the old man. He’d rather she lived with him than alone. He sees the real woman, and he’s been in love with her for as long as he’s worked for the family.


With threats on her life, Dacre refuses to let Carley be used or abused. He’ll put his life on the line for her, as long as he knows he’s got her heart as well.

Buy it here: 

https://www.changelingpress.com/the-snob-roosters-12-b-3850



Wednesday, April 8, 2026

Not All Tools Are For Everyone

Online I see a lot of authors using gorgeous tools for their writing. Beautiful laptops, monitors and keyboards. Journals full of stickers and mood boards just like their stories. Pens and post-its that match color exactly. Every time I see those beautiful plot journals and character inspiration sheets, I am jealous. I wish I could be that person. I wish I could make everything pretty and surround myself in the vibes of my story. But every time I try, I either get so intimidated by all the choices of making inspiring plot cards and character sheets, or I get frozen with fear of making a choice I can’t unchanged later, since they are on paper and permanent.

Unfortunately, no matter how much we might try, not all tools work for all of us. Everyone’s brain works a little differently, and we need to accept that about each other and ourselves.

Personally, I’ve always done better with digital tools. I like the ability to change things. To constantly adapt my process if it isn’t working without guilt. There is nothing truly permeant in my tools, and there for I can always change it match my current needs. Besides the time to set it up, I’ve lost nothing.

And I’m sure I’m not the only one out there that feels this way.

As a result, over the years, I’ve learned to use digital tools to give me some of the same effects that those beautiful plot journals and vision boards, while having the flexibility that my brain needs to explore and be creative. There are just as many fantastic resources out there for those of us who work better digitally. Most are a lot easier to find and create than a notebook or happy planner.

Spreadsheets, whether in Google sheets or excel, are one of my strongest writing tools. And one that doesn’t get enough love from the writing community. Spreadsheets malleable nature means they can be used for so many functions. Here are a few ways I use spreadsheets, but I’m sure there are hundreds more that others could add to the discussion. 

Series Binder/World Building Dictionary – using multiple sheets within excel file I keep track of every aspect of my world building. From what characters look like, to family trees, names and descriptions of locations, or anything else that I want to be able to find at a moment’s notice. I even sometimes add rules to have cells to color them for certain aspects of a story or world, so I can follow a family or storyline through all my sheets (though this might be a more advanced skill, and not necessary). Spreadsheets also have a find function, which makes it easy to search information quickly if you need to know a character’s eye color or last name in a pinch. And images can be added to still give that character reference and even story vibe that some of the prettier plot sheets that others create.

Vision boards– While I do create most of my vision boards and aesthetics in Canva, so that I can then add them to my computer, phone and tablet backgrounds, a spreadsheet is another great place to add all this information. They can be placed wherever needed on the spreadsheet to give the same appeal as a journal, without any commitment.

Outlining – since I’ve started writing longer and more complex books, I’ve needed a way to keep the story straight, since it doesn’t all fit in my head anymore. I use spreadsheets to track my progress and the story together. I can note what scenes I’ve completed, which ones need more work, how much of the whole story they represent. I even add columns to the spreadsheet to note where the characters are in their romantic relationship, and to track any subplots that might be happening. I add notes of things that I need to check or change when it comes time for revisions, all in one place. It’s great to be able to look at the whole plot in one quick glance.

Time tracking and goal setting – I use spreadsheets a lot to track time and goal setting. I love to create bar charts and line graphs and all that fun stuff to track my progress. I also like to track my time and determine how long I work on a story or scene. I find that tracking my time keeps me more productive and focused, while also offering me a lot of interesting information to analyze.

Tracking sales – This one is an obvious one. I’m sure most authors track their sales, progress and expenses in a spreadsheet, but it is valuable to be able to see your data so closely. I’ll track what series have the best follow through, what tropes are most successful for me, and even what projects I plan to work on and when.

There are plenty of other things that can be tracked in a spreadsheet as well, such as influencers and bloggers that have been contacted, who reviewed your book, where it’s published, and probably a million other things I haven’t thought of yet.

Another invaluable digital tool for authors is a word document.

In the past I have been a Scrivner girl. I wrote most of my books in Scrivner (though I have always revised in word). Since I am an inspiration writer—which means I don’t usually write in chronological order—I often find it distracting to have the words of other scenes and parts of the story I am not currently thinking about on the page before me. I loved Scrivner’s corkboard and the ability to not just work on one scene at a time, but also to move them around if needed. But for convenience and availability I’ve moved to using google docs. Especially since they have created the new tab function, where you can do the same thing as Scrivner with different scenes being on different tabs, unconnected and moveable. You do need to collect them into one document at the end, instead of the compile function of Scrivner, but a small price to pay for the convenience.

I’ve also used word documents the same way, with each scene being its own document to eventually be merged into one giant document. Just like with google docs, it’s more convenient if not a little more troublesome with the pasting.

Series Binder/Worldbuilding dictionary – Word documents are also a great place to create a worldbuilding document. With their bookmarking tool you can easily move to different locations in the document with just a click. And just like spreadsheets they are searchable, allowing you to find information quickly. Images can also be added easily, including a whole title page of a vision board or aesthetic, though images can’t be easily nested so you might need to do create the graphic in another product like Canva first, and just copy the image to your word document.

Character sheets/Plot sheets – whenever I want to write a character sheet, I find a writeable word document the best place to do it. Any questions desired can be asked and answered in the sheet, a grid can even be created for plotting if necessary. And images can be added. For anything, where I know the questions will be the same each time, setting them up in word is a great way to play with the characters without being afraid about the permanence of writing in on paper. They can be set up once and used over and over again.

These are just the digital tools I use to write my novels. Each one is easy to adapt and change depending on the story and current place I am in my head. What tools do you use to create your stories, worlds and characters?

Tuesday, April 7, 2026

Strategies for procrastination and surviving chaos #books #reading #comfort #hope


While writing the last few chapters in the last book in my Stranger Creatures series, I’ve been finding all sorts of ways to procrastinate when I get stuck on a scene or a chapter. Spring cleaning, which is actually sort of fun, gives me a sense of accomplishment because I enjoy decluttering. My outdoor garbage can is overstuffed and I may have thrown out a couple things I regret parting with. In addition to cleaning and trying new recipes— many of which have gone mildly to horribly wrong— I’ve been reading.

My current list is an eclectic mix of dystopian, science fiction, romantasy, steamy romance, and regular fiction. Here’s a few I’ve begun reading:

Parable of the Sower by Octavia E. Butler

How to Negotiate with a Nightmare by Amy Boyles

Caitlyn Can’t Die by Liz Hambleton

The Lamplighter by Maria S. Cummins

Gran Caravan by Ginger Booth

Ice Planet Barbarians by Ruby Dixon

The Word for World is Forest by Ursula K Le Guin

In the past few months, I have only managed to read a few chapters at a time of the more serious books before having to set them aside for a while. I have, however, been consuming stories about found families, stories that provoke ethereal images of magic and the beauty of nature, and, of course, love stories that have happy endings. The world needs more love and more magical moments, now more than ever.

My music choices over the past month have been lighter and more fun than my usual preferences. Some songs I’ve been playing on repeat include:

She Bop by Cyndi Lauper

Sweet Baby James by James Taylor

Everlasting Love by Howard Jones

I Wanna Get Better by Bleachers

Proud Mary by Creedence Clearwater Revival

Manic Monday by The Bangles

The Subway by Chappell Roan

 

After a winter of snow and ice, the sun has turned the landscape green, but for many, the warmth and new flowers don’t signify the end of fear and troubled times, rather, the new beauty provides a sliver of hope that a summer of sustained change will eventually arrive. Nurturing that kind of hope requires the care and comfort often found in the safety and temporary shelter of a good book or song.

 

If you’d like to follow me on social media for my latest book information and excerpts, poems, contest info, book recommendations, and other fun stuff, you can find me at:

Amazon author page: https://www.amazon.com/Christina-Lynn-Lambert/e/B01MCYK0K7

BookBub:  https://www.bookbub.com/authors/christina-lynn-lambert

Facebook: https://www.facebook.com/christinalynnlambert

Goodreads: https://www.goodreads.com/author/show/15900423.Christina_Lynn_Lambert

Instagram: https://www.instagram.com/christinalynnlambert

Wordpress: https://christinalynnlambertwordpress.com

Bluesky: https://bsky.app/profile/cllambauthor.bsky.social

Sunday, April 5, 2026

Read Any Good Books Lately?

 

I recently took stock of my bookshelves and discovered more unread volumes than I realized I had. This wasn’t from impulse buying because I’m from a family of avid readers, and the books kept piling up. I’m now well-stocked with everything from Erle Stanley Gardner to Robert B. Parker, alongside Hemingway, Steinbeck and Twain. Throw in my own collections of Ian Fleming, Raymond Chandler and Mickey Spillane, among others, and I have a pulp fiction library to die for.   

 

One of the books I’m currently reading is “A Tan and Sandy Silence,” a Travis McGee mystery by John D. MacDonald. I had tried reading some of the McGee stories a long time ago, but didn’t fully appreciate them when I was younger. Now I’m finding them to be interesting and skillfully written. Better late than never.  

 

Speaking of vintage mysteries, I read one by Lawrence Block called “Sinner Man.” Block was part of the hardboiled paperback writer generation, and this one is typical of his output—the “hero” is an ordinary working stiff who sees a way out of his boring life and decides to take it, even though it’s illegal. This theme is also a constant with one of Block’s peers, Donald E. Westlake. I recently finished one of his crime capers with the world’s best title—“Somebody Owes Me Money.” I wish I could’ve used that for one of my novels!

 

I don’t usually get into true crime books, but I made an exception when I bought “Death as a Living,” a first effort by A. Doyle Burke. Burke is a retired homicide detective from my hometown Dayton (Ohio) Police Department who dished the dirt on some of his cases. In reading his reminiscences, I got an eerie feeling of nostalgia when I thought “Hey, I remember that murder!” I think I’ve been writing crime thrillers for too long.     

 

I can highly recommend a neat cozy-type mystery called “Nine Tenths of the Law,” by my friend Claudia Hagadus Long. My connection with Claudia is that she’s my frequent book editor and favorite collaborator. She’s written an intriguing tale about a family’s discovery of a religious artifact that was thought to have been lost during the Holocaust, and their efforts to get it back. I understand that she recently released a follow-up book.     

 

Part of the fun of being a freelance book editor is finding something by a first-timer and feeling strongly enough to recommend it. In the past year I had the pleasure of editing two new romances by Dayton-area authors, which are now on the market. I suggest you check out “Falling Into Fire” by Leah Lore, and “The Immortal Sonata” by Jennifer Vice. Both fall into the romantasy category (“Sonata” is more vampire romance). They’re well-written with believable characters and atmosphere.   

 

Robert B. Parker and his Spenser private eye mysteries are what I call comfort reading, and I have a number of those to choose from. My most recent choice was “Cold Service,” a solid tale of revenge fueled by friendship. In addition to Parker, I also caught up with a Mickey Spillane adventure I missed, “The Killing Man,” a fast-paced Mike Hammer thriller. I’ve since added another lost Spillane treasure, “Black Alley,” to my reading table.  

   

An old paperback I found at a used bookstore provided some surprising literary insights. “The Godfather Papers and Other Confessions” by Mario Puzo is a collection of stories he wrote for magazines to pay the rent until his books took off. Puzo devoted a chapter to his landmark novel and the film adaptation. I was surprised to learn that despite “The Godfather” being his most successful book, it wasn’t his favorite, and he didn’t understand what all the fuss was about. He revealed that he only wrote it because his previous books, while critically acclaimed, hadn’t been commercially successful, and he was deeply in debt. His agent suggested that since Mafia stories sold well, perhaps he should write one of those.

 

What’s in your TBR pile?

 

Tim Smith is an award-winning bestselling author of romantic mystery/thrillers, and contemporary rom/coms. His novels featuring former CIA operative Nick Seven have garnered several awards and international critical praise. His author site is TimSmith.AllAuthor.com 




Saturday, April 4, 2026

Book Blogs To Follow

 

Free use image from Pixabay

The Wednesday Weekly Blogging Challenge prompt for April 1 asks participants to list favorite book blogs and/or book bloggers. 

Here are a few suggestions. 

Closely Reading is a Substack run by Haley Larsen. Subscribers can participate in discussions on suggested books. We are currently reading McTeague, an interesting story about a dentist and the oddball characters in his life, which was written in 1899.

https://haleyalarsen.substack.com/

Long and Short Reviews is the blog where you'll find the Wednesday Weekly Blogging Challenge. Also, long and short book reviews.

https://www.longandshortreviews.com/

Many of the participants in the Marketing For Romance Writers (MFRW) group have book blogs. Consider joining MFRW if you're a writer or otherwise connected to the literary world. You don't need to write romance to join MFRW. My last published story was a holiday horror comedy.

https://marketingforromancewriters.groups.io/g/main

My PA, Rene Migliore, includes book promos on her blog. She also offers a variety of helpful services. I wouldn't even have a newsletter without Rene's help.

https://renesgetaway.wordpress.com/blog/

Shameless plug for my blog, Readers Roost, where you will find links to books from various genres written by indie and small press authors.

https://bit.ly/ReadersRoost

I've been dealing with a lot following my mother's death, but I am still available for competitively priced alpha and beta reading services. Also, if you have an upcoming book tour, feel free to drop a comment on any recent post at Reader's Roost and leave me a link so I can sign up. I'm not doing book reviews right now, but I'm always open to promoting fellow writers.



 

Friday, April 3, 2026

Happy Spring to You from January Bain!


 

Happy Spring to You!

I've been busy writing as always and I'm so looking forward to some warmer weather. I can't believe how deep the snow was this winter! I hope the winter treated you well.


I made this video of a Western book I'm working on in my spare time, one of my hobbies. Hobbies are what help us Northerners get through the long winters!

Here's is the first chapter of the book:

Belle MacGregor and The Long Riders

 

"A feminist Western reimagining of the first daylight bank robbery in U.S. history, where a ‘Lady Robin Hood’ escapes a shotgun wedding to lead a trio of female bounty hunters to the Texas frontier."

 

January Bain

 

Liberty, Missouri

February 13, 1866

1:57 p.m.

 

My corset was too tight, the Missouri sun was too hot, and the bank vault behind me was proving too stubborn. I kept my eyes on the town clock, the gold hands mocking me. Every tick was a reminder of the farm the Blue-coats burned in '64—a debt I intended to collect today, cent by bloody cent. 

Three minutes. 

That was all Huck needed to get the job done, and all Connor needed to lose his temper. I adjusted the reins of the four horses, my palms slick against the leather, praying for the boys to get a move on. My three brothers couldn’t have been more different. Huck, the oldest, always quiet and thoughtful, Connor a match in temperament for his bright red hair, his twin Abel in his shadow.

I glanced over at the two-story building with its tall, narrow windows, wishing I could see through the red brick of its exterior to where I envisioned my brothers confronting the teller. In my mind’s eye, I saw Huck’s steady hand and Connor’s mounting impatience; a clock ticking in the silence of the vault.

“A beautiful day for a stroll, isn't it, Miss?”

I turned, determined to hide my chagrin behind a polite, paper-thin smile. Men were always sticking their noses in where they didn’t belong, and today was a poor day to test the length of my temper.

The man—a gambler by the look of his silk pinstripe vest—was leaning against the hitching post with a lazy, predatory grace. He was handsome in a dangerous way, the kind of man who noticed the small, jagged truths people tried to hide.

I gripped the reins tighter, the leather biting into my palms, my thumb brushing the cold steel trigger of the derringer tucked into my lace glove. I kept my head bowed, letting the deep sides of my sunbonnet shadow my face. It was my shield, a wall of stiffened calico that kept the world—and his prying eyes—at a distance. I’d even added a bovolet to the back, ensuring not a single lock of my bright golden hair could betray me. In a town this small, an uncommon color was as good as a signature on a death warrant.

“I’d rather be riding than walking, thank you very much,” I replied. It was perfunctory, my voice a cool drawl even as my heart hammered a rhythm of war. He needed to move on down the boardwalk. Now.

I glanced up at the sky, my stomach churning for more than just the job. The sun had disappeared in the last few minutes, replaced by storm clouds rushing in from the south—a heavy, fast moving mass with that eerie, sickly green haze that didn't bode well for anyone left on the street. The air had gone deathly still as well, the kind of heavy quiet that precedes a wind-spout.

“A lady such as you shouldn’t be left alone in this weather,” he pressed, his gaze lingering a second too long. “Miss…?”

“I’m not alone, and my kin would not appreciate a stranger speaking with me.” I itched to reach down and brush the outline of the Colt strapped to my leg—a weapon I had spent weeks practicing with until it felt like an extension of my arm—but his steady eyes kept me frozen in place.

Why couldn’t he take a hint? If he didn't move soon, he was going to be standing right in the middle of a gunfight. If not caught in the thick of the approaching thunderstorm.

The gambler’s lip quirked into a half-smile, a look that suggested he found my defiance more intriguing than insulting. "Well then, I'd hate to be the cause of any family friction," he said, yet he didn't move an inch. He just adjusted his hat, his eyes flicking toward the bank's heavy oak doors.

My pulse skipped. He suspects. What woman would stay on the street and not take cover when a storm threatens?

Just as I prepared to draw the derringer and end the charade, the air was punched out of the afternoon by the heavy thud of a safe door being blown. The horses shied, pulling at my arms, and the gambler’s hand flew to his own hip—not for a wallet, but for a holster, I hadn't seen.

Inside the bank, I heard Connor’s muffled roar: “The buzz-tails are open for business, boys!”

I didn't need to see it to know what was happening. I could read it in all too well—Connor leaning forward, shaking out the contents of a gunny sack onto the floor. I shook my head with disgust, the sound of the death rattles reaching me even over the wind. I’d have to find a way to talk him out of his cruel theater next time. If there was a next time.

The bank doors didn't just open; they were kicked wide. I gripped the reins of the horses, my stomach turning at the thought of the panic inside, but as the townspeople were forced to become too busy looking at the floor to look at us, I knew we had our head start.

Connor exploded onto the boardwalk, a heavy canvas bag in one hand and his revolver in the other, his face hidden behind a rough wool scarf. Huck was right behind him, looking like a bear emerging from a cave, blinking against the Missouri glare. Abel was the last one out, his sack loaded down and his Colt at the ready. He’d even taken the time to collect the empty gunny sack—the one devoid of wildlife—to leave no trace behind.

“Time to go!” Connor roared.

The gambler froze, his gaze darting from the masked men to me—the lady he'd been flirting with, who was now expertly hauling four panicked horses into a line with the strength of a teamster.

I didn't give him a second look. I kicked my skirts aside, exposing the Colt on my thigh, and swung into the saddle of my chestnut mare, Jubilee. “Mount up!” I screamed over the sudden chorus of shouts from across the street. “Ride like the wind, boys!”

The storm had picked up, howling between the buildings like a banshee, tearing the gambler’s hat from his head. But he didn't give chase. He stood there in the swirling grit and the sudden, cold rain, watching me. Through the smoke of the bank and the rising dust of the storm, he caught my eye. He didn't reach for a gun. Instead, he raised a hand to his brow in a mock-salute, a flash of white teeth against his tanned face as the sky behind him turned a terrifying shade of charcoal.

“Go!” I screamed to Connor, digging my heels into the mare. “We’re in for it now!”

A wild wind chose that exact moment to howl down the street, a wall of grit and rain slamming into us. My bonnet, that stiffened calico shield, stood no chance. The ribbons snapped under the strain, and the wind tore the hat clean from my head, sending it tumbling into the Missouri mud.

My bright golden hair, once pinned and hidden, spilled down my shoulders like a banner of defiance. I didn't reach for it. I didn't care. I leaned low over Jubilee’s neck, the rain stinging my eyes as we thundered away.

Just as the street began to dissolve into chaos behind us—shouts of “Robbery!” competing with the first low growl of thunder—I stole one last glance over my shoulder. Through the rising dust and the swirling grit of the wind-spout’s herald, the gambler stood his ground. He wasn't going for the law but held my gaze.

Good luck, little rebel, his eyes seemed to say.

Then the sky broke.

A wall of rain slammed into Liberty, turning the street to a river of gumbo mud in seconds. “Hell’s bells!” I screamed, leaning low over Jubilee’s neck. Behind me, Connor, Huck and Abel were black silhouettes against a sky that had turned the color of an old bruise.

We hit the edge of town just as the sound changed. It wasn't thunder anymore. It was a rhythmic, soul-shaking roar—the sound of a freight train where no tracks existed. A wind-spout was dropping to the south, a twisting finger of debris and black cloud that made the very earth tremble.

“She’s coming for us!” Huck yelled, his voice barely audible over the gale.

“No,” I gritted my teeth, the rain lashing my face. “Ride! We can make it.” At least I hoped we could. I rode like my life depended on it, as I darn well knew it did. Jubilee agreed, forcing her brave heart to greater effort as her hooves sunk deep into the Missouri mud, clods of earth flying with every push of her haunches.

It was taking too long, the race for the Blue-Cut and the safety it promised. We had yet to cross the Missouri River. Would the ferry still be running in the storm? I worried this day could mark the end of my deepest desire to redistribute funds more fairly among my suffering neighbors if we didn’t avoid capture.

The Sibley landing was a soup of grey mud and splintered wood. Through the sheets of rain, the Missouri River looked like a churning muscle of brown water, angry and indifferent to our plight.

"Is he out there?" Connor yelled, shielding his eyes as he looked toward the ferryman’s shack.

I didn't answer. I couldn't. My eyes were fixed on the far bank, barely visible through the mist. If we stayed here, the law would pin us against the water like rats in a shed. If we crossed, we were at the mercy of the current.

I thought of the widow Mrs. Miller and her three hungry boys. I thought of the “Ironclad Oath” that had stripped the dignity away from every man in our county. My desire to see that gold on their doorsteps felt heavier than the bags on Connor's saddle.

“The ferry's still docked!” I spurred Jubilee forward, the mare's hooves sliding on the slick riverbank. “Connor, Abel—get to the winch! We’re taking her across ourselves if we have to. We didn't come this far to drown in a Yankee river.”

The ferry was a flat, wooden skeleton tethered to a thick hemp cable that disappeared into the churning brown mist of the river. The water was high and lonesome, as the old-timers said—crested with white foam and carrying entire trees like toothpicks.

“The ferryman’s gone to ground!” Huck roared over the gale, pointing to the empty shack.

“Then we’re the crew!” I didn't give them time to think. I led Jubilee onto the slick wooden deck, her hooves sounding like thunder on the boards. The ferry groaned under the weight of four horses and four desperate outlaws.

I grabbed the steering sweep—a massive oar at the back—while Connor and Abel fought with the snubbing lines. The river hit us with the force of a stampede. The boat bucked, and for a terrifying second, the bow dipped beneath a swell, washing the deck in freezing, silt-heavy water.

“She’s gonna snap!” Huck screamed, eyes fixed on the straining cable. The hemp was frayed, weeping water under the tension.

Not today, I decided, throwing my weight against the sweep. Not with the gold that’s meant to save others in dire need.

We were halfway across—the middle of the “Big Muddy”—when the twister’s tail hit the water. The air turned into a wall of spray, blinding me. I gripped the wood until my knuckles turned white, steering us by instinct through the roar.

With a sickening crack, the boat lurched. We didn't snap, but we drifted, the current trying to turn us broadside.

“Push!” I hollered to my brothers. “Angle her! Give her to the river!”

We hit the southern bank with a bone-jarring thud that nearly sent the horses overboard. We didn't wait for the ramp. We leapt into the waist-deep mud, dragging the animals toward the treeline. We were soaked, freezing, and haunted—but we were across. The Missouri was behind us, and the Blue-Cut was waiting in the dark.

Finally, the limestone walls of the Cut rose up around us like a natural cathedral of stone, slick with rain and shimmering that strange, ghostly blue in the fading light. We’d made it. The twister was a distant growl now, tearing up the valley behind us, and I prayed, hoping the storm would take any posse’s trail with it.

I slid off Jubilee, my legs shaking so hard I nearly folded into the mud.

“Light a lantern, Abel,” I commanded, my voice sounding small against the dripping silence. “Low and hooded.”

The match struck, illuminating three faces smeared with Missouri mud and gunpowder. Huck sat back against a ledge, his quiet eyes already scanning the entrance for movement. Connor was already clawing at the ties of the canvas bags, his red hair plastered to his forehead like a bloody crown.

“Look at it, Belle,” Connor whispered, his temper finally cooling into greed. He dumped a stream of gold double-eagles onto a dry patch of stone. "We could buy back the whole county and still have enough for a palace in St. Louis."

Abel sat beside him, silent as always, his eyes reflecting the gold light but his hands busy checking the action of his Colt.

I stood apart from them. “Blast you, Connor!” I hissed. My legs felt like jelly, but my anger was solid. “Snakes? You could have killed a child. You could have killed that teller. We’re supposed to be better than the Blue-coats who burned us out, not worse.”

Connor hopped down from his gelding, tossing a heavy, clinking bag of gold onto the mud. He wiped rain from his brow and gave me that jagged, defiant grin though I could see pinpoints of color high on his cheekbones. “They didn't follow us, did they? While they were dancing the Missouri Jig to keep their toes, we were three miles out of town. I don’t care about being better, Belle. I care about being alive and rich.”

“It’s cruel,” I snapped, my chest heaving against the stays of my corset. The adrenaline was fading, leaving a cold, hollow ache in its place. I needed a moment of peace—the one thing that always grounded me when the world went to hell.

I reached for my throat. My fingers searched for the familiar, thin gold chain and the heavy weight of the locket. I wanted to see Mother’s face and tell her we’d done it—that the neighbors wouldn't starve this winter.

My hand met only cold, damp skin.

My breath hitched. I searched frantically, my fingers clawing at the lace of my collar, then moving down to my bodice. Nothing. Just the salt of rain and the grit of the road.

“Belle?” Abel asked, his voice softening as he saw my face go pale.

“It’s gone,” I whispered, my eyes darting back toward the mouth of the Cut, toward the miles of mud and the town of Liberty. “The locket. It’s gone.”

“Forget the locket,” Connor grunted, though his eyes shifted away. “We got the gold. We can buy you ten lockets.”

 I looked at him, and for the first time, the anger felt like ice instead of fire. “You don’t understand, Connor. You never do. That wasn't just gold. It was the only thing the fire didn't take. The last piece of our mother. The Devil’s own luck that it’s gone.” 

I quickly crossed myself, the damp wool of my glove rough against my forehead, not wanting to invoke the dark one any further in this cold, unholy place. The silence of the Cut seemed to press in on me. Had I traded my mortal soul for this Yankee gold? Was this the cost of our call to justice—that we get to keep the neighbor’s farms but lose the very things that make us who we are?

Connor just snorted, his red hair damp and wild as he went back to counting. To him, a pure white soul was a luxury we hadn't been able to afford since the war. But as I looked at my muddy reflection in a puddle on the cave floor, I didn't see a lady, and I didn't see a MacGregor. I saw a ghost in a wet corset, haunted by a locket I’d dropped as a one-way ticket to becoming an outlaw. If a photograph truly captured a piece of the soul, as so many believed, then I had just traded my mother's spirit for a bag of Yankee gold. I had made a pact with the Devil himself. God help me, but I wasn’t feeling contrite at that moment, but full of more anger at my lot in life than my small body could hold.

Hugs, January

Storyteller